“内模仿”与“无意识”理论  

Theories of "Inner Imitation" and "Inconscience"

作　　者：曹桂生[1] 曹阳[1] 

机构地区：[1]陕西师范大学美术学院,陕西西安710062

出　　处：《西安交通大学学报（社会科学版）》2013年第5期100-105,共6页Journal of Xi'an Jiaotong University：Social Sciences

摘　　要：20世纪初,尼采、索绪尔、弗洛伊德等西方现代哲学家在学术领域和世界观等方面发生了巨大变化,并带来了方法论上的转变:非理性主义取代了理性主义,心灵的真实取代了现实的真实;指出以柏拉图等人为代表提出的"内模仿"即是对心灵和理念的模仿,其思想理论占据当时文艺思潮的主导地位,对20世纪以后的哲学家、美学家影响深远,尤其是精神分析学的代表人物弗洛伊德和荣格;同时,美学思潮的变革必然带来文艺的变革,此时期的艺术家乔伊斯、毕加索、达利等人的作品也与"内模仿"有着必然的联系。It is pointed out that in early 2000s, modem philosophers such as Nietzsche, Saussure, Freud, et al. had brought about a great change in the academic field, world outlook, etc. and a transformation in methodology. Irrational- ism replaced rationalism, and spiritual reality replaced actual reality. The ＂ inner imitation＂ proposed by philosophers with Plato, et al. as the representatives is the imitation of the spirit and idea. The thinking theory took up the domina- ting position in the then trend of thought in literature and art. This imposed a profound impact on the philosophers and aestheticians after the twentieth century, especially on Freud and Jung, both representatives of psychoanalysis. At the same time, the change in aesthetics bought about a change in literature and art inevitably. The works of the artists over this period like Joyce, Picasso, Dali, et al. are inevitably associated with the ＂inner imitation＂.

关 键 词：＂内模仿＂ ＂无意识＂ 西方现代哲学家 美学思潮 文艺变革 

分 类 号：J20[艺术—美术]