台湾新世代诗歌语言论  

On the Language of New-generation Poetry in Taiwan

作　　者：张卫中[1] 

机构地区：[1]江苏师范大学文学院,江苏徐州221116

出　　处：《海南师范大学学报（社会科学版）》2013年第8期92-96,共5页Journal of Hainan Normal University(Social Sciences)

基　　金：教育部人文社科一般项目"1949年以后大陆与台湾文学语言比较研究"(编号:10YJA751112)

摘　　要：在当下的台湾诗坛,新世代诗人是一个非常活跃的群体;受到西方后现代主义的影响,这批诗人进行了多样的艺术探索,推出了语言诗、图像诗、都市诗、生态诗、政治诗、方言诗、情色诗、女性诗等多种新的诗歌体式。然而,不论这些诗人的审美趣味有何种差异,他们有一点是共同的,即在语言的探索、翻新上表现了强烈的兴趣,也进行了多样的实验。新世代诗歌的语言实验主要有三个方面,即语言的游戏化、陌生化与杂语化。In the current poetic circles of Taiwan, poets of the new-generation are an extreme active communi- ty. Under the influence of Western postmodernism , those poets have implemented diverse artistic probes and have initiated various new forms of poetry such as language poems, visual poems, urban poems, poems on ecology, po- ems on politics, poems in the vernacular, poems on love and emotions, poems on females, etc. Nevertheless, how- ever different their aesthetic tastes are, these poets have one in common, i.e. their strong interest in and various experiments with the exploration and renovation of poetic language. The language experiments of new-generation po- etry involve three aspects： linguistic gamification, unfamiliarity and juxtaposition.

关 键 词：台湾新世代诗歌 诗歌语言 游戏化 陌生化 杂语化 

分 类 号：I207.2[文学—中国文学]