袁枚骈文主张与骈文创作艺术  

Yuan Mei's Parallel Prose View and Parallel Prose Creation Art

作　　者：路海洋[1] 

机构地区：[1]苏州科技学院人文学院,江苏苏州215009

出　　处：《苏州科技学院学报（社会科学版）》2013年第5期36-42,共7页Journal of University of Science and Technology of Suzhou:Social Science

基　　金：国家社科基金青年项目"清代江南骈文发展研究"(09CZW041);江苏省高校"青蓝工程"资助项目(2012)

摘　　要：清中叶是有清一代骈文发展的鼎盛时期,清代骈文史上最有分量的骈文大家多半产生于这一阶段,而袁枚就是其中的一个佼佼者。在骈文观上,袁枚主张文分骈散是自然之理、骈散系出一源且各有价值、骈散代雄乃文学史发展的必然。袁枚骈文形成了流丽浑脱的风格特色,这是他在规抚以唐宋骈文家为代表的历代前贤、综取经史百家各种精粹的基础上,发挥才情、熔裁学识、涵纳个性而刻意创辟的结果。袁枚骈文所取得的艺术成就是多方面的,其中句式灵活多变、俪体散趣及议论自铸伟词、奇纵融通两方面,最能体现其特色与优长。要之,袁枚称得上是清代骈文史上无可争议的一位大家,《小仓山房外集》也称得上是一部独标高格的经典之作。The middle of the Qing dynasty was the heyday of parallel prose, when the majority of major parallel prose writers in the Qing dynasty were produced and Yuan Mei was just among the most talented stars. As far as the concept of parallep prose is conerned, Yuan maintained that the parallel prose reflects the natural intention of human beings, that parallel prose and essays have grown out of the same fountain and that it is only natural for them to boom alternately in the history of literature. Yuan＇s parallel prose emerged as a fluent, dainty, virile, easy, artistic style, as it is based on the learning from renowned ancient writers, specially those in the Tang dynasty and the Song dynasty. Yuan assimilated, and integrated all kinds of ancient learning cream and included his own original innovations into it. Therefore, his parallel prose gained various prominent artistic achievements. Concretely, Yuan＇s parallel prose is especially accomplished in organizing all kinds of flexible and prosy sentences. In a word, Yuan is undeniably an incontrovertible parallel prose writer in the Qing dynasty, and his Xiao Cang Shah Fang Wai Ji was a unique classic, which is mature in style in the parallel prose history in the Qing dynasty.

关 键 词：清代 袁枚 《小仓山房外集》 骈文主张 创作艺术 

分 类 号：I206.2[文学—中国文学]