Writing as Painting： Creative Scholarly Writing From H616ne Cixous＇ Post-structuralism and Maurice Merleau-Ponty＇s Body Phenomenology  

作　　者：Virpi Yliraudanjoki 

机构地区：[1]Researcher and Writing Coach, Helsinki, Finland

出　　处：《Journal of Literature and Art Studies》2013年第8期525-531,共7页文学与艺术研究（英文版）

摘　　要：This paper deals with scholarly writing and a testing and experimental review of its related conventions. The author applies to her review of the subject a theoretical stimulus that returns to the starting point of H616ne Cixous＇ （2008） post-structuralism and Maurice Merleau-Ponty＇s （2012） phenomenology of the body. The author becomes open to meditation on the topic as a bodily soothsayer redeeming permission for creative scholarly writing using the intuitively associative method and style of writing which she has developed. The author suggests that a theoretical starting point located in post-structuralism and the phenomenology of the body offers the possibility to equate creative scholarly writing with painting. The aim of this paper is to start from post-structuralism and the phenomenology of the body and to conceive a new method of understanding and adapting creative scholarly writing, while the author allows herself to perceive and write in her intuitively associative style.

关 键 词：creative scholarly writing intuitive associative PAINTING H616ne Cixous Maurice Merleau-Ponty 

分 类 号：G236[文化科学] J212.05[艺术—美术]