词调三分与词学转型  

Trichotomy of Poetry and Transformation of Study of Ci

作　　者：陈水云[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《苏州大学学报（哲学社会科学版）》2013年第5期147-152,192,共6页Journal of Soochow University(Philosophy & Social Science Edition)

基　　金：教育部人文社科基金项目"中国词学从传统到现代的转型"(项目编号:09YJA751069)的阶段性成果

摘　　要：词调"三分法"的出现,在明清词学史上有着十分重要的意义,它标志着中国词学由音乐谱时代进入到格律谱时代,改变了明代以后词选与词谱编刻的体例及其发展方向。"三分法"自从提出以来,成为明清时期最为常用的词学批评话语,既表现在对词的体性问题的探讨上,也体现在清初不同词派对于词学主张的阐扬和词史观念的表达上。The appearance of trichotomy of tonal patterns and rhyme schemes of Ci poetry had great significance in the history of poetry during Ming and Qing Dynasty.It marks that Chinese poetry entered a new era from music spectrum to metrical spectrum.And it has changed the style as well as the development direction of poetry selection and metrical spectrum compilation after the Ming Dynasty.'Trichotomy' became the most frequently used poetry criticism discourse during Qing and Ming Dynasty since it was put forward,which was used not only in the discussion of poetry styles but also in the expression of different poetry advocates during the Early Qing Dynasty.

关 键 词：词调三分 词学转型 格律谱 体性辨析 南北宋之争 

分 类 号：I207.23[文学—中国文学]