龚贤与徽商交游问题研究  

Research on the Communication of Gong Xian and Anhui Businessmen

作　　者：张卉[1] 

机构地区：[1]山东师范大学美术学院,山东济南250014

出　　处：《南京艺术学院学报（美术与设计）》2013年第5期26-30,211,共5页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：2012年国家社科基金后期资助项目<龚贤艺术研究>(批准号:12FYS013)

摘　　要：本文是对龚贤在1660年代与徽商交往情况的散考。并且,经由龚贤与十七世纪五十、六十年代扬州遗民文化圈中的徽商之间交游状况的考察,对此期商品经济影响下的扬州艺术市场对遗民艺术的影响问题,作进一步的探讨。龚贤作为其中的一种艺术现象,这段时期也是他一生思想和艺术的过渡阶段,这不仅是对清初画坛现状的一种反映,同时也是对此期遗民思想和艺术所面对的处境的一种回应。This thesis is a loose textual research on the communication situation of Gong Xian and Anhui businessmen in 1660s. Through investigating about their communication in the cultural circle of Yangzhou adherents of the former dynasty in the 1650s and 1660s,the author has made a further discussion on the influence of art market in Yangzhou under the influence of commercial economy to the culture of adherents of the former dynasty. Gong Xian was one of the artistic phenomena, and this period was a transition period of his thinking and art in his life. This was not only a reflectionofthesituationofpaintingfieldinearlyQing,but also a kind of response to the situation of the thinking and art of the adherents of the former dynasty.

关 键 词：龚贤 徽商 扬州 遗民文化圈 

分 类 号：J203[艺术—美术]