塞纳河左岸的风暴——对法国后现代主义“知”、“意”、“情”问题的思考  

The Tempest of “la Rive Gauche” — Cognitive,Ethical and Aesthetic Reflections on French Postmodernism

作　　者：刘波[1] 

机构地区：[1]四川外国语大学,重庆400031

出　　处：《外语学刊》2013年第5期14-19,共6页Foreign Language Research

摘　　要：法国后现代主义思潮的兴起使法国思想又一次成为西方文化彻底重构的主要动力来源和"哲学导论"。"文化渎神"使近、现代文化最终面临彻底批判和颠覆的危局,导致思维方式、价值观、审美趣味和生活方式的改变。在"知"方面,后现代思想体现了从关注认识问题向关注存在问题的转向;在"意"方面,奉行推崇多元价值观的道德相对主义;在"情"方面,倡导自由创造的快乐主义。后现代学术是融合了文学、文化、文字的三位一体。Thanks to the rise of French Postmodernism, French thinking once again became the major motivating force and ＂philosophi- cal introduction＂ contributive to the reconstruction of Western culture. The ＂cultural desecration＂ not only propelled modern and contemporary cultures towards the perilous situation of thoroughgoing criticism and subversion, but also initiated transformations in mode of thinking, values, aesthetic taste and way of life. In terms of cognition, postmodernism signaled a turn away from knowing the world towards being in the world. In terms of ethics, it preached ethical relativism based upon multiple values. In terms of aesthetics, it advocated pleasure in free creation. The research into postmodernism is the process of experiencing the trinity of literary, cultural and linguistic studies.

关 键 词：后现代主义 人学 反文学 语言学转向 

分 类 号：H0-05[语言文字—语言学]