浅析传统莲花纹样对当代本土化设计的启迪  

Enlightenment of Traditional Lotus Patterns on Modern Localization Design

作　　者：彭庆云[1] 丁蓉[2] 

机构地区：[1]安徽艺术职业学院美术系,合肥230001 [2]安徽财贸职业学院艺术系,合肥230601

出　　处：《合肥工业大学学报（社会科学版）》2013年第5期94-97,共4页Journal of Hefei University of Technology(Social Sciences)

基　　金：安徽省高等学校省级教学研究一般项目(2012jyxm774)

摘　　要：莲花纹样以其丰富多样的造型与独具的美学内涵,在中国悠久的设计历史长河中一直占有极重要的地位,也是中华民族传统装饰纹样宝库中经久不衰的题材之一。在全球化趋势盛行的今天,我们应从古典艺术中寻求借鉴,走出属于自身的文化特色,类似莲花纹样这样绝佳的创作题材,完全可以崭新的面貌展现于现代装饰艺术中。The lotus pattern, along with its abundant shapes and unique aesthetic connotation, has played an important role in Chinese design history. It is one of the enduring themes of the Chinese traditional decorative patterns. In the circumstance of globalization, the localized cultural characteristics should be strengthened by learning from the classical arts. Consequently, the lotus pattern can be an excellent creation theme for the modern decorative art with different artistic performance.

关 键 词：莲花纹样 历史符号 现代设计 

分 类 号：J52[艺术—艺术设计]