王士禄与王士禛词之比较  

The Comparison of Ci between Wang Shilu and Wang Shizhen

作　　者：贺琴[1] 

机构地区：[1]山东大学文学与新闻传播学院,山东济南250100

出　　处：《晋中学院学报》2013年第5期105-108,124,共5页Journal of Jinzhong University

摘　　要：清初王士禄与王士禛兄弟二人的词,都有《花间》《草堂》的风调,他们在创作上体现出不同倾向:王士禄闺情之作表现静态的浓艳之美,山水之作表达隐逸的思致,王士禛写人有秀逸之美,写景注重历史时空因素的发掘;王士禄抒情较为内敛,含蓄蕴藉,王士禛则趋于外向,注重环境的感发;王士禄在表现上工笔描摹,有较明显的雕琢痕迹,王士禛重于写意,自然流畅。Wang Shilu and Wang Shizhen were two brothers in the early Qing dynasty. Their Ci were both affected by Huajian and Caotang style. They reflected different tendency in the creation. Wang Shilu＇s Ci about Boudoir displayed the beauty of gaudy, and Ci about rural landscape expressed his hermit thoughts. Wang Shizhen had comely elegant beauty when describing characters, while he paid attention to space and time when writing about landscape; Wang Shilu＇s lyrical tended to be introverted and implicative, while Wang Shizhen tended to be extroverted and express environmental feelings; Wang Shilu depict in the meticulous and realistic style and carved obviously, Wang Shizhen attended to freehand brushwork and his Ci appears natural and smooth.

关 键 词：王士禄 王士禛 词 比较 

分 类 号：I207[文学—中国文学]