论安藤忠雄与光影空间从木材到混凝土  

On Ando Tadao and the lighting space from wood to concrete

作　　者：秦本忠[1] 

机构地区：[1]合肥工业大学建筑设计院

出　　处：《建筑与环境》2013年第4期70-72,共3页ENVIRONMENTAL ARCHITECTURE

摘　　要：醉心于混凝土材料的运用和光空间的塑造．从不同的角度来看待传统与现代，这就是安藤忠雄的独特的建筑视角。他主张质朴简约，强调建筑由可靠的材料，完全的几何形式和自然三要素组成。同时，他探求的是日本文化中深层次的意识，期望通过自己的设计与人们心目中的美相暗合。从住吉的长屋到“冥想之庭”都体现着他这种不懈的追求。Tadao Ando had an unique architecture perspective. He was bent on the apply of the concrete material and the construct of light and space. He observe the traditional and modern from different perspective. He advocated plain architectural style and emphasized the architecture is combined with reliable materials, completely form of geometry arid nature. Meanwhile, he searched for the deep consciousness from Japanese culture. He also expected his own design would agreed by people＇s idea of beauty. His unremitting pursuit was embodied from the design of Zhuji＇s long house to ＂architectural meditation＂.

关 键 词：安藤忠雄 建筑语汇 情感空间 自然 建筑哲学 

分 类 号：TU528.01[建筑科学—建筑技术科学]