论冯至1949年前诗歌风格的转变  

On the Style Transformation in Feng Chih's Poems before 1949

作　　者：杨洋[1] 

机构地区：[1]南京大学文学院

出　　处：《江苏广播电视大学学报》2013年第5期50-55,共6页Journal of Jiangsu Radio & Television University

摘　　要：冯至的诗歌创作在1949年前经历了一次由"浪漫主义抒情诗"向"现代主义抒情诗"的巨大转变,二十至三十年代的诗歌与四十年代的诗歌在主体精神的介入程度、描写对象和思想意蕴等方面发生了变化。在冯至留德期间,德语诗人里尔克以及盛行于当时德国的存在主义哲学对冯至的创作产生了巨大影响,并且在冯至诗风转变中起到不可忽视的作用。Before the year of 1949, Feng Chih＇s poetry writing went through a great transformation from ＂Romanticism Lyrics＂ to ＂Modernism Lyrics＂. The poetries written between 1920s and 1930s were different from those in 1940s in the intensity of the subject spirit＇s interposing, the description objects, and the implications. When Feng Chih was in Germany, he had been deeply influenced by Rilke, a German poet, and the philosophy of ＂existentialism＂ prevailing at that time in Germany, both of which had also played an innegligible part in the transformation of Feng Chih＇s poetic style.

关 键 词：冯至 诗风 现代主义抒情诗 主体精神 情与物 

分 类 号：I207.25[文学—中国文学]