社会性别视阈内的“怡红公子”像  

The“Yi Hong Gong Zi”in the Perspertive of Social Gender

作　　者：吴昊[1] 

机构地区：[1]华东师范大学对外汉语学院,上海200062

出　　处：《贵州文史丛刊》2013年第4期93-97,共5页GUIZHOU CULTURAL AND HISTORICAL JOURNAL

摘　　要：本论依照"女性主义---性别诗学---男性研究"研究路径,分别阐释不同研究立场的性别理论构建和发展,从"贾宝玉"身上窥见性别文学批评的演进过程。女性主义文学批评提供了崭新的视角,发现了一个"不一样的贾宝玉"。但这类研究普遍地关注"受难的女性",从而忽视了男性角色在文本中的价值和作用,或者简单地将男性角色与父权制做对等处理,因此很难全面地揭示社会生活的复杂性。性别诗学,可谓是女性主义自我反思的结晶。相对来说,它能更多地考虑到男性角色的文学和社会的功能意义。但这些在男性研究者来看,仍嫌不够,不能全面地解决男性面临的问题。男性研究至今还仅仅停留在社会学领域,不如女性主义那样广泛地与文学批评接触,但笔者认为,其主要理论在"贾宝玉"的性别研究上仍具有重要意义。according to ＂feminization-androgyny-masculine＂ , this paper discusses the gender theory and constructions respectively, which leads us to research the Jia Baoyu＇ s developing-procession. Feminization literature provides a new perspective to reach a different Baoyu, while such research always focuses on the weaker-women, which leads to the male-character＇ s being ignored. Feminization research tends to consider the male-character as a mark of patriarchy, therefore it hard to reveal the whole society-life. Poetics of gender, coming from the feminization literature introspection, it pay much attention to the male-character＇ s function and significant. But all these work in male-researchers＇ eyes is not enough to solve male-problems they have to face. Although male-research has not applied in literature analysis too much, this paper believes the theory can be inspirational in the following research.

关 键 词：贾宝玉 女性主义 性别诗学 男性研究 

分 类 号：I207.411[文学—中国文学]