抽象表现主义绘画与冷战的需要  

Abstract Expressionist Painting and the Needs of the Cold War

作　　者：金衡山[1] 

机构地区：[1]华东师范大学外国语学院,上海100732

出　　处：《江苏行政学院学报》2013年第6期32-37,共6页The Journal of Jiangsu Administration Institute

基　　金：国家社科基金项目"冷战思维与美国文学和文化"(09BWW012)的阶段性研究成果

摘　　要：抽象表现主义绘画兴起于上世纪40年代中期,在50年代初成为美国绘画艺术界的一股强大力量,并引领绘画艺术发展方向。抽象表现主义绘画在发展过程中或多或少融入了一些政治因素,美苏冷战成为这种抽象派艺术不能绕过的一个背景,不仅如此,美国的冷战政治在一定程度上也促进了抽象表现主义的发展,并使其成为美国冷战文化的一部分。Abstract expressionist painting emerged in the mid 19dOs, and evolved into a major force in the United States in the early 1950s and began to lead the direction of artistic development in painting. During its evolution, abstract expressionist painting absorbed certain political elements, and the Cold War between the U.S. and the Soviet Union was a backdrop that could never be evaded. Moreover, the U.S. Cold War politics also contributed to the development of abstract expressionism to some extent, and turned it into part of the American Cold War culture.

关 键 词：抽象表现主义 冷战 背景 政治 

分 类 号：G112[文化科学]