论温庭筠词的女性化词体特征  

On the Feminine Features of WEN Tingyun's Poems

作　　者：孙艳红[1] 

机构地区：[1]吉林师范大学文学院,吉林四平136000

出　　处：《山西大学学报（哲学社会科学版）》2013年第6期51-56,共6页Journal of Shanxi University(Philosophy and Social Science Edition)

基　　金：吉林省新世纪优秀人才项目(吉教科文合字2013148)

摘　　要：以温庭筠为代表的花间词派崇尚雕饰,追求婉媚,充溢着脂香腻粉气味的词风的形成,不仅是文学自身兴替嬗变的结果,更是社会发展和文化变迁的曲折映照。晚唐的时代精神和词体的自觉,加之温庭筠的人生经历,使其词呈现出鲜明的女性化特征。温庭筠的词通过对女性形象的塑造、女性化情思的婉曲表达、感官意象的直接呈现和女性化器物和空间的大量抒写,为我们展示了温词香艳绵密的女性抒情特征。温庭筠处于词定型的关键时期,其词体的女性化创作倾向直接影响了后人对词体的认知,将词体引入了以女性化特征为正宗的发展之路。The Huajian poetry school represented by WEN Tingyun advocated ornamentation and pursued apopha sis. The reasons why the poems became the scented and flowery style were not only the results of the literature aher nation, but also the circuitous reflections of the social development and cultural changes. It was the the spirit of the time in the Late Tang Dynasty,the poetic awareness and WEN＇ s personal life experience that made the poems pres ent distinctive feminine feature. WEN＇ s poems exhibited the flowery and meticulous feminine lyric features by means of portraying the female images, expressing the feminine emotions tactfully, presenting the sensual images di rectly and describing the feminine utensils and the living spaces. WEN Tingyun lived in the critical period of the fix ation of the poetry. His feminine poetry writing tendency directly influenced posterity＇ s cognition of the poetic styles and led the poetic styles into the fight development road with feminine characteristics.

关 键 词：温庭筠词 词体特征 女性化 

分 类 号：I206.2[文学—中国文学]