民族旅游地民俗文化社会性别分析与变迁考察——以贵州西江苗族鼓藏节为例  

Research on the Change of Folklore Culture from Gender Perspective A Case Study of Xijiang Miao Minority Guzang Festival in Guizhou

作　　者：项萌[1] 黄燕玲[1] 郑文俊[1] 

机构地区：[1]桂林理工大学旅游学院,广西桂林541004

出　　处：《重庆交通大学学报（社会科学版）》2013年第5期86-89,共4页Journal of Chongqing Jiaotong University:Social Sciences Edition

基　　金：教育部人文社科项目"桂黔少数民族旅游地民俗文化变迁的社会性别研究"(编号:11YJC850024);国家自然科学基金项目"‘主客’感知视角下西南民族地区旅游影响机理与时空分异研究"(编号:41101136);国家社科基金项目"城市化背景下西部民族地区乡土景观保护研究"(编号:10CMZ011);广西社科项目"广西人口社会性别平等问题研究--基于民族旅游业可持续发展的视角"(编号:11CRK004)的阶段性成果

摘　　要：基于文献分析和实地访谈,分析西江苗族鼓藏节与区域文化差序格局的关系,并从性别和权力的角度分析贵州鼓藏节传承主体的不同角色和地位,透过鼓藏节解读西江苗族独特的社会性别文化,同时探讨民族旅游业背景下鼓藏节民俗文化发生的变迁。开发民族旅游资源应以尊重民俗传承主体的族群、文化等观念为前提,以保护民俗文化内核本真性为基点,并重视在传统文化的嬗变中构建平等和谐的社会性别关系。Based on the analysis of the relevant literature and fieldwork, the relationship between Guzang Festival of Xijiang Miao Minority and cultural pattern of difference sequence was analyzed, different roles and positions of local people in Guzang Festival were examined from gender and power perspective, and specific gender culture of Miao Minority was revealed. The change of the festival＇s folk culture was researched. Tuture tourism should be based on the respect of local people and the sustainable inherit- ance of folk culture, harmonious gender relationship in the process of folk culture＇s change should be stressed.

关 键 词：民族旅游 旅游地 文化变迁 社会性别 

分 类 号：C95[社会学—民族学]