谁的声音? 替谁发声?——略谈草根诗歌的“公共性”与“个人性”  

Whose Voice?Whose Expression Was Replaced by the Voice?Remarks on the Publicity and the Individuality of the Grass-roots Poetry

作　　者：向天渊[1] 

机构地区：[1]西南大学中国诗学研究中心.中国新诗研究所,重庆北碚400715

出　　处：《湛江师范学院学报》2013年第5期66-70,138,共6页Journal of Zhanjiang Normal College

基　　金：重庆市社科规划项目(2012YBWX087)

摘　　要：近年来,对草根诗歌的研究呈快速发展的趋势,但关注的重心在于其公共性特征,对其个性化的艺术追求尚缺乏足够的阐释与引导。作为底层书写的草根诗歌,批判性、介入性是其天然特征,但在将真实的体验与情感转换成审美的、个性化的诗性表达上,仍有很大的提升空间。就在底层写作自发涌现并受到颇多关注的同时,不少非底层的甚至知名的诗人也开始进行草根诗歌创作,出现"自我发声"与"替代表达"两种方式共存的局面,彰显出"草根诗人"身份的某种困惑。不过,公共性与个人性完满结合的草根诗歌,主要还得寄望于草根人群的自我抒写。In recent years, the research on grass-roots poetry tends to be rapidly developing, but the focus of attention lies in its public character, and their individualized art pursuit lacks enough explanation and guidance. As the grass-roots poetry of bottom-writing, the critical spirit and the intervention are its natural characteristics; however, there is still large space for the development in how to transform the true experience and emotion into aesthetic and individualized poetic expression. While the grass-roots writing e- merges spontaneously and has been greatly regarded, many non-bottoms, even well-known poets began to carry out grass-roots poetic creation, the situation of coexisting of self-expression and substitutive expres- sion show the confusion of the identity of grass-roots poets. The grass-roots poetry combining the publici- ty and individuality is written by the self-expression of grass-roots crowd.

关 键 词：草根诗歌 公共性 个人性 底层书写 自我发声 替代表达 

分 类 号：I207.5[文学—中国文学]