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作 者:夏蒂[1]
出 处:《怀化学院学报》2013年第10期78-80,共3页Journal of Huaihua University
摘 要:清代著名词评论家谢章铤认为"明末风雅首推陈大樽子龙",这位明清鼎革之际的文学家身体力行着其政治理想与文学理想,使得其短暂的人生却甚是夺目。这位气吞山河,满腹豪情抗清复明的才情诗人同时也是一位典型的"当行本色"风格创作词家。陈子龙带领云间词派,宗南唐北宋为词学正统,并力复"词统"以纠明词淫哇俚俗之习。以甲申国变为界,陈氏词风从妍丽温软而进阶为柔中有骨,清丽幽雅,其词学主张与词作实践不仅肃清了明末词风的萎靡状况,并为清词中兴打开了局面,是明代昙花最后一现,亦是新朝明珠光芒乍现。Xie Zhangting, a famous lyric critic of Qing dynasty, regarded Chen Zilong as the first refined literary figure in the poetry field of Ming Dynasty. In the transition from Ming dynasty to Qing dynasty, this litterateur tried his best to practice the ideals of his pohtical ambitions and literature passion, which made his short life become more valuable and meaningful. The poet who was strongly against the Qing Dynasty was full of aspirations and advocated that the poetry writing should follow its original appearance and format. Chen Zilong is the leader of Yunjian Ci School He not only put the poetry of South Tang and Northern Song Dynasty as the orthodox, but also attempted to rectify the promiscuous atmosphere of Ming Ci. Taking the Jia Shen GuoBian as the transition boundary, his style of writing changed [rom sweet - tempered and tame to that of tenacious and tough, yet still retaining his tender elements. His advocate and practice eliminated the sluggish situations of the literary world at that time and thus promoted the prosperity of the Qing poetry,
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