论清代中期的骈散合一思想  

On the Theory of “the Unity of Parallel Prose and Free Prose”in the mid-Qing Dynasty

作　　者：张作栋[1] 

机构地区：[1]河池学院教师教育学院,广西宜州546300

出　　处：《河池学院学报》2013年第4期21-28,共8页Journal of Hechi University

基　　金：国家社科基金项目"中国古代骈文文论研究"(10XZW0023);广西高等学校立项科研项目"清代骈文选本研究"(201204LX416);河池学院青年科研立项课题"清代骈散合一思想研究"(2010A-H002)

摘　　要：清代中期的骈散合一思想主要包括三方面:首先是论述骈散文并存的必然性,其次是强调骈散文"道通为一",第三是主张骈句与散句"相杂迭用"。这三方面内容,较清初均有明显的深化。影响有二:一是下开晚清标举效法魏、晋文的风气,二是在骈散合一的探讨中,发展了骈文文气理论,在骈文文论中"气"的概念从辞章之论发展为气韵之说的过程中起到推动作用。The theory of the unity of parallel prose and free prose in the mid - Qing mainly includes three aspects. Firstly, it deals with the necessity of the coexistence of parallel prose and free prose ; secondly, it empha- sizes the identity of parallel prose and free prose in Dao ; thirdly, it advocates the blending of parallel sentences and free sentences. The theory has its effects in two aspects： giving writers the lead in following Wei -Jin style in the late Qing Dynasty ; and developing the Wen - qi theory in the exploration of uniting parallel prose and free prose.

关 键 词：清代 乾嘉道 骈文 文论 选本 骈散合一 骈散对立 

分 类 号：I206.5[文学—中国文学]