明末秦淮名妓王微与杨宛诗词比较  

A Comparative Study on the Poems and Ci Poetries by Qinhuai Courtesans,Wang Wei and Yang Wan,in the Late Ming Dynasty

作　　者：刘廷乾[1] 

机构地区：[1]南京审计学院,江苏南京211815

出　　处：《山东女子学院学报》2013年第5期61-66,共6页Journal of Shandong Women＇s University

基　　金：2011年江苏省高校哲学社会科学基金项目"江苏明代作家文集述考"(项目编号:2011SJD750017)

摘　　要：明末秦淮名妓王微与杨宛皆工于诗词。王微诗善于以凄清之境,写漂泊之感;杨宛诗则长于咏物。二人皆长于近体,王微五、七言皆工,杨宛五言好于七言;杨宛的诗歌视野没有王微宽阔,个性风格没有王微突出。在词的创作上,二人都长于绘景言情,杨宛更工于咏物与闺情。王微词疏朗,杨宛词细密;王微词隽爽,杨宛词柔婉;王微词不着粉泽态,杨宛词更显女人气。王微诗高于词,杨宛词高于诗。在明代女作家中,二人皆堪称一流者。Qinhuai courtesans, Wang Wei and Yang Wan, in the late Ming Dynasty were versed in poems and Ci poetries. Wang Wei was good at expressing wandering sense with desolate realms in her poems, while Yang Wan was clever at chanting. Both of them were experts in modem style poetries, but the former was in adept five and sever-character poems, the latter＇ s five-character poems were better than her five ones; Yang＇ s poetries were inferior to Wan＇ s in poetic horizons, and her personality was not equal to Wan. In the creation of Ci poetries, they did best in scenic painting and expressing their emotions, Yang did better in chanting and women＇ s feelings. Ci poetries by Wang were open-minded, cheerful, and Yang＇ s fine and closely woven; the former＇ s frank and straightforward, the latter＇ s soft and mild; Wang＇ s expressed naturally, whenas Yang＇ s more effeminate. The attainments of Wang＇ s poems are superior to her Ci poetries, just the reverse, Yang＇ s Ci better than her poetry. Among the writers in the Ming Dynasty, they deserved to be called first-class poets.

关 键 词：王微 杨宛 才妓 诗 词 

分 类 号：I207.2[文学—中国文学]