关于《髹饰录》——以其版本及注释为中心  

On Xiushilu——Core of Xiushilu's editions and notes

作　　者：佐藤武敏[日] 何振纪(译) 

出　　处：《创意与设计》2013年第5期59-66,共8页Creation and Design

摘　　要：《髹饰录》是流传至今非常重要的一部关于中国漆艺的专书。此书却在清代中叶失传于国内,只有手抄稿本流传于日本,直至二十世纪初又复归中国。但有关《髹饰录》早年在日本的传抄情况,国内鲜见论述。日本学者佐藤武敏通过研究《髹饰录》在日本的不同抄本以及其中的注释,阐明了不同本子之间的关系,并且告诉我们在《髹饰录》传播至日本后,对其进行了笺注的寿碌堂主人究竟是何许人也。Xiushilu, the Records of Lacquering, is only one book can hand down to today. It had been lost in Qing dynasty, until came back China in early 20th century. But, the state about Xiushilu in Japan is known seldom in China. Japanese historian Mr. Sato writes this essay to analyses the difference between the handwritten editions of Xiushilu in Japan by compare of the different editions and their notes. Meanwhile, it tells us who is and why he notes Xiushilu in Japan.

关 键 词：明代 漆艺 《髹饰录》 版本 注释 

分 类 号：J527-5[艺术—艺术设计] G256.2[文化科学—图书馆学]