汉画像石与封建“孝”  

Han Stone Reliefs and Feudal Filial Piety

作　　者：张彩霞[1] 

机构地区：[1]兰州交通大学艺术设计学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2013年第5期120-122,共3页Journal of Lanzhou Jiaotong University

摘　　要：秦汉时期是中国封建社会的上升时期,这一时1期统治者的统治策略不断发生变化,至汉武帝时,"忠孝"思想成为中央及地方各种社会活动的准绳,而后"孝"的发展进而滋生了一种陋俗——薄养厚葬,在"孝"的思想的主宰和薄养厚葬之风气的双重影响下,墓葬艺术得到空前发展,为后世留下了辉煌的艺术财富——汉画像石。它虽然以尽孝为目的,然而却在无意中涵括了秦汉时期的艺术气象,通过画像石的形成和发展轨迹来探寻它与封建"孝"的关系。Qin and Han dynasties are the two rising periods of Chinese feudal society. The rulers＇ rule strat- egy constantly changed during these periods. Emperor Wudi made filial piety the criterion of central and lo- cal social activities. And then filial piety led to the custom of thin support and honorable burial. Dominated by the thought of filial piety and affected by the custom of thin support and honorable burial, tomb art de- veloped unprecedentedly. This leaves magnificent art wealth for posterity-Han stone relief. Although it is for the purpose of filial,it inadvertently includes the artistic meteorology of Qin and Han dynasties. Trough the formation of Han stone reliefs and development path, the relationship between Han stone relief and fili- al piety can be explored.

关 键 词：汉画像石 封建 孝 忠 社会气象 

分 类 号：J205[艺术—美术]