论木梯寺“世俗化”菩萨造像的审美与表现  

Study on the Aesthetics and Presentation of Buddhist Statues in Temple-Caves of Mutisi

作　　者：徐越[1] 

机构地区：[1]兰州交通大学艺术设计学院,甘肃兰州730070

出　　处：《兰州交通大学学报》2013年第5期132-134,共3页Journal of Lanzhou Jiaotong University

摘　　要：木梯寺是一处跨越多个历史时期的佛教石窟寺,现存有很多造像遗迹,表现形式多样、内容丰富。本文重点论述的菩萨造像位于本寺第7号石窟之中,也为全寺造像中最精彩的部分。创意独特、造型精美,技艺水平远高于诸多同类造像。两泥塑菩萨"世俗化"神貌的刻画,反映了宋代造像富于创造的艺术精神。The Muti Temple-Caves （The Temple-Caves with wooden ladders） is a Buddhist temple grottoes experiencing many historical periods. There are many statues with extant relics,diversified forms, rich con- tent. This paper mainly discusses the Buddha statues in the temple cave No. seven, which is the most splen- did part of the whole temple statues. Its design is unique, exquisite and its skill level is much higher than other similar statues. The describe of ＂secular＂ of two clay Bodhisattva refects the creative spirit of art of the Song Dynasty statues.

关 键 词：造像 菩萨 技巧 

分 类 号：J306[艺术—美术]