周作人“灵肉一致”思想与英国诗人布莱克之间的关联  

Union of Spirit and Flesh: Relation between Blake and Chou Tso-jen

作　　者：孙丽[1] 

机构地区：[1]北京师范大学,北京100875

出　　处：《楚雄师范学院学报》2013年第10期61-67,共7页Journal of Chuxiong Normal University

摘　　要：周作人的人学思想对中国现代文学产生了极为重要的影响。在《人的文学》一文中,周作人仅引述英国诗人威廉·布莱克作为"灵肉一致观"的代表。通过研究,有以下发现和结论:首先,周作人虽最先接触到日本文艺理论家厨川白村的"灵肉一致"的文学史观,但在《人的文学》中周却将厨川所推崇的"灵肉一致"的代表——"惠特曼"改换为"布莱克",此改动折射出灵肉问题上布莱克之于周作人的重要性;其次,周的"灵肉一致"思想更直接地受到布莱克《天堂与地狱的结婚》中《恶魔之声》的启发;再次,周对布莱克"灵肉一致"思想的接受,是建立在对其"神人合一"的神秘主义思想的理解之上;最后,周也对布的灵肉思想进行了选择性的接受,即消除布氏思想中的神秘气,反增灵肉思想中的启蒙性。Chou Tso- jen＇s humanism thought has played an important role in Modern Chinese Literature. In his Human Literature, Chou only regarded the British poet William Blake as the representative of ＂union of spirit and flesh＂. Based on this, this paper analyzes the relationship between Chou Tso - jen and Blake and finds： Firstly, Chou first learnt the idea ＂ union of spirit and flesh＂ from Japanese literary theorist HaKuriyagawa, but he substituted Blake for Whitman whom was admired greatly by HaKuriyagawa as the representative of the idea in Human Literature. The change reflects the importance of Blake for Chou; Secondly, Chou was more directly inspired by The Voice of the Devil in Blake＇ s The Marriage of Heaven and Hell; Thirdly, Chou＇ s receiving the conception lies on his understanding of Blake＇ s mysticism ＂unity of man and God＂ ; Finally, Chou accepted Blake＇s thought selectively by eliminating mysterious meaning and adding enlightenment of it.

关 键 词：周作人 布莱克 灵肉一致 神人合一 《人的文学》 

分 类 号：I207.22[文学—中国文学]