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作 者:丁丽[1]
机构地区:[1]西安欧亚学院学报编辑部,陕西西安710065
出 处:《西安欧亚学院学报》2013年第1期74-77,共4页Journal of xi‘an Eurasia University
摘 要:“意象”是意与象的融合,心与物的交契,情与景的融汇,主体与客体的和谐。梅花以其冰清玉洁的品格和傲霜斗雪的精神倍受文人青睐,也以其暗香盈袖的气韵和素艳高雅的风姿吸引着历代的文人墨客,其被赋予了各种象征意蕴,她是脱俗高洁的象征、凌寒不屈的象征、隐者高士的象征、霜雪美人的象征和传情达意的象征。梅在文人的内心情感里主要是借梅抒情和借梅喻己。Images are the combination of connotations with symbols, the association of hearts with materials, the blending of emotions with situations, and the harmony of subjects with objects. In ancientChina, poets appreciated plums and took the flowers as one of the important images m me^r poems, ~or plums are so brave that they could blossom in winter despite frost and snow. Plums have been given many symbolized implications, such as "nobleness and purity", "bravery in harsh situations", "her-mit", "prideful beauty" and so on. In ancient Chinese poems, the images of plums were employed to express the writers'emotions and to personify their character.
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