本土与海外的回望：南京陷落1937——新时期与新世纪如何书写歌女  

Local and overseas retrospect of the fall of Nanjing in 1937 ： analysis of the methods of narrating singsong girls at the new era and in the new century

作　　者：胡春毅[1] 

机构地区：[1]天津理工大学汉语言文化学院,天津300384

出　　处：《西安欧亚学院学报》2013年第4期33-37,54,共6页Journal of xi‘an Eurasia University

基　　金：天津艺术科学研究规划项目“21世纪海外华文文学的影视改编研究”（B12047）

摘　　要：在上个世纪80年代，巴蜀作家李贵的小说《金陵歌女》及其改编的电影《避难》，都集中地书写了金陵歌女形象，借以表达文化寻根的诉求和爱国主义的情怀，这成为新时期文学的一种典型样态。无独有偶，新世纪以来，海外华文文学也表现出相似的文学景观，严歌苓借鉴李贵的叙事内容，依凭中长篇小说《金陵十三钗》传达出海外华人的文化民族主义。In the 1980s, the novel Singsong Girls of Jinling written by LI Gui from the Sichuan Province and the film adapted from the novel focused on the image of singsong girls of Jinling to express the appeal to seeking cultural roots and the emotion of patriotism, which were one of the typical styles of literature at the new era. It happens in the new century that there is a similar case in overseas Chinese literature ： according to Singsong Girls of Jinling, YAN Ge-ling wrote another novel The Flowers of War and expressed the cultural nationalism of overseas Chinese.

关 键 词：南京陷落 《金陵歌女》 《金陵十三钗》 文化寻根 民族主义 

分 类 号：I207.6[文学—中国文学]