论贵州民族民间音乐技术性要素与新音乐创作的融合  

On the Integration of Guizhou National Musical Technical Elements into the New Music

作　　者：陈馨婷[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《贵州大学学报（艺术版）》2013年第3期114-118,共5页Journal of Guizhou University Art Edition

基　　金：贵州省教育厅高校人文社会科学研究规划项目"作曲教学中贵州民族民间音乐文化的融入与创新研究"[课题编号:10GH06]研究成果

摘　　要：贵州有丰富独特的民族民间音乐文化,其技术性要素在音乐创作尤其是近现代音乐创作视野下具备很高的价值和可塑性。通过共性化技术手段表达本民族的文化内涵是20世纪以来音乐艺术发展的趋势,也是中国新音乐创作的目标和方向。科学地保护和发展濒危的贵州民族民间音乐文化应立足于音乐创作及教学中将其技术性要素与新音乐创作相融合的实践。Guizhou has rich and unique national folk music culture whose technical elements can be of high value and flexibility in musical creation,especially in contemporary music creative views. It is a trend for music development in 20th century by employing common technical elements to convey national cultural connotations and that is also the goal and direction of new Chinese music. The scientific preservation and development of the endangered Guizhou national folk music should be based on the integration of its technical elements into the musical creation and teaching.

关 键 词：贵州民族民间音乐 技术性要素 新音乐创作 融合 

分 类 号：J607[艺术—音乐]