新桂系时期广西桂剧的发展  

The Development of Gui Opera during New Guangxi Clique

作　　者：王玏[1] 

机构地区：[1]广西艺术学院音乐学院,广西南宁530022

出　　处：《艺术探索》2013年第5期50-52,5,共3页Arts Exploration

基　　金：广西教育厅研究生科研创新课题"新桂系时期的桂剧研究"(2011106070504M09);广西艺术学院高等教育教学改革工程项目"广西本土音乐试论课程教学内容改革研究"(2012JGY10)

摘　　要：相较于清末及旧桂系时期,新桂系时期的桂剧仍然得到了较大的发展,加之桂林文化城展开的如火如荼的桂剧改革,桂剧班社、科班与桂剧剧目、桂剧理论都得到了不同程度的发展和完善。这对新桂系时期直至新中国成立后桂剧的发展都产生了重要影响。Compared with the Qing Dynasty and the old Guangxi clique period, during which Guangxi opera got a large development after all.Moreover,Gui opera folk troupe, old-type troupe,Gui opera repertoire, and Gui drama theory have been varying degrees of development and improvement coupled with the reform carried out in the cultural city of Guilin. It has significant influence on the development of Guiopera from new Guangxi cliqueperiod to the founding of New China.

关 键 词：桂剧 改革 新桂系 

分 类 号：J825[艺术—戏剧戏曲]