《第22条军规》的叙事手法与反文化政治主题  

Narrative Techniques and Countercultural Politics in Catch-22

作　　者：文波[1] 

机构地区：[1]重庆理工大学外国语学院,重庆400054

出　　处：《外国语文》2013年第4期40-44,共5页Foreign Languages and Literature

摘　　要：约瑟夫·海勒对反文化政治主题的关注高度展示了作家的叙述艺术和政治意识。用与众不同的场景、无形的小说结构以及颇具戏剧性的人物塑造,海勒成功地将自己的叙述转换成一种独特的反文化政治学。显而易见,《第22条军规》不仅具有叙述学上的贡献而且具有意义上的深度。论文从社会、历史与文化批判的视角,结合分析作品的叙述策略,从多层面维度对作品的反文化主题进行探究。Joseph Heller＇ s thematic concern of the countercultural politics in Catch-22 highly demonstrates the writer＇ s narrative art and political conscious. By means of unique setting, the formless structure as well as the dramatic character- ization, Heller has successfully transferred his narrative into a kind of countercultural politics of his own. As we can see, Catch-22 is significant either in its contribution to narratology or in its profundity in meaning. This paper, from the social, historical and cultural perspective, along with the analysis of narrative strategies, explores the multilayered dimension of the ＂theme of counterculture. ＂

关 键 词：《第22条军规》 叙事 反文化政治 

分 类 号：I712.074[文学—其他各国文学]