宋词中的散射虚构运动认知解读  

A Cognitive Analysis of Emanation Fictive Motion in Chinese Song Poems

作　　者：邓宇[1,2] 

机构地区：[1]北京航空航天大学外国语学院,北京100191 [2]乐山师范学院外国语学院,四川乐山614004

出　　处：《西华大学学报（哲学社会科学版）》2013年第6期70-74,共5页Journal of Xihua University(Philosophy & Social Sciences)

基　　金：国家社科基金项目"现代汉语宏事件语义类型学实证研究"(项目编号:13BYY012);四川省教育厅科研项目"英汉隐喻运动事件词汇化模式对比研究"(编号:13SB0141)

摘　　要：虚构运动是一种描述非真实现象的认知表征模式,它广泛存在于文学语言之中。本文基于认知语言学家Talmy的虚构运动理论,对经典宋词中的方向路径、辐射路径、影子路径和感知路径四类散射虚构运动表达进行解读,分析了概念化主体的心理模拟运动和有次序的心理扫描在虚构运动意义表征中的重要作用。虚构运动的概念化具有动态性,并强调概念化主体的心智介入、心智与环境互动,这对诗词意境的传递大有裨益,为文学创作和理解增添了色彩。Fictive motion is a cognitive pattern to represent the nonveridical phenomena; it exists widely in literature language. Based on the fictive motion in Talmy＇s theory, this paper has a cognitive analysis of four subtypes in emanation fictive motion represented in Classic Chinese Song poems. The analysis indicates that the conceptualization of fietive motion mainly involves mental simulation and sequential mental scanning. The processing of fictive motion emphasizes the interaction between mind and the environment, and it contributes to the artistic conception of the poetry; fictive motion is helpful for literature creation and comprehension.

关 键 词：虚构运动 散射路径 宋词 认知语言学 

分 类 号：H0-06[语言文字—语言学]