检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:潘达[1]
机构地区:[1]福建师范大学,福建福州350001
出 处:《吉林艺术学院学报》2013年第5期2-5,共4页Journal of Jilin University of Arts
摘 要:近年来,从事美声学习和表演的人与日俱增。虽然在这些人中不乏一些非常出色的青年歌手和歌唱家,但仍然有很多年轻的学者在学习过程中只注意声音的"高度"、"响度"甚至是"过瘾程度",因而忽略了美声演唱的基本要求和技术元素。这使得歌手往往声音够大、够响却缺乏美感,缺乏美声歌唱应有的独特魅力和灵活程度。因此,笔者认为美声演唱的"四大元素",才是我们演唱者在歌唱表演及歌唱理论研究中最应该学习和知晓的知识核心和要点。In recent decades, the number of vocal performance scholars has been growing either the opera groups in the National College or in the provinces. It should be said that there are some very good young singers among these people. However, we found out that there are still many young learners who only pay attention to the sound of the "height", "loudness" or even "fun level", while ignoring the bel canto tradition in the past 400 years with the basic requirements and technical elements. That's why some singer's voices are often large enough, loud enough, but lack of beauty, lack of unique charm and flexibility that is essential in bel canto. Therefore, I believe "Four Elements" in bel canto singing are the core points for the learners to learn the singing theoretical research.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.145