趋向差异多元的文学流变——战后德国现实主义到后现代主义风格的一种考察  

Literature Evolution Towards Difference and Multiple Dimensions

作　　者：印芝虹[1] 

机构地区：[1]南京大学外国语学院德语系

出　　处：《南京社会科学》2013年第10期137-142,共6页Nanjing Journal of Social Sciences

摘　　要：战后德国是冷战中东西方阵营及之后世界格局的一个缩影,其从分裂到统一后的文学打上了深刻的时代烙印。民主德国作家对现实社会主义的文学表现、其作品与社会的互动,联邦德国战后反思文学的发展变化,均为我们探讨时代与文学的关系提供了重要的视角。从两德最著名的前辈作家伯尔、格拉斯、克·沃尔夫、海纳·米勒到1968年代作家彼得·施耐德、乌佛·梯姆、施林克等,从他们获得高度评价、影响广泛的作品中,我们不难察见一种从现实主义到后现代主义风格演变的文学发展路径。The postwar Germany is the world pattern＇ s microcosm during the Cold War as well as the later period, which also deeply contributes to recording a time of its literature suffered the process from division to reunification. From the important perspectives of the works＇ representation to the Realistic Socialism wrote by the East Germany＇ s authors, their interaction with the society at that time and the Postwar Introspection Iiterature＇ s development and changes in West Germany, we earn a way to discuss the relations between the era and the literature. The prestigious writers in the East and West Germany such as Boll, Christa Wolf, Heiner MUller as well as Peter Schneider, Uwe Timm, Schlink in 1968. show us a style change from realism to post-modernism by their highly eval- uated and widely influential works.

关 键 词：战后德国 后现代 梯姆 施林克 克里斯塔·沃尔夫 

分 类 号：I106.4[文学—世界文学]