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作 者:聂国心[1]
出 处:《山西师大学报(社会科学版)》2013年第6期81-84,共4页Journal of Shanxi Normal University(Social Science Edition)
基 金:广东省哲学社会科学"十二五"规划项目(GD11CZW13)
摘 要:鲁迅与茅盾都是"五四"新文化运动和文学革命的产儿,但当他们接受了阶级论,走进左翼文学阵营后,对"五四"新文化的理解产生了分歧。鲁迅从"文化革命"的角度坚守"五四"新文化传统,认为"五四"新文化的核心价值观与左翼文学的精神追求是相通的;茅盾则从"阶级斗争"的角度否定"五四"新文化,认为"五四"新文化的一切思想及其口号都成了时代落伍。但茅盾对"五四"新文化的分析存在着矛盾,他一方面承认"五四"在"破除封建思想这一点"上有历史进步意义,承认"打倒封建势力还是革命工作之一面",另一方面却又坚决地"论定‘五四’早已送进坟墓"。Lu Xun and Mao Dun were both the products of the May Fouth New Culture Movement and the Lit- erary Revolution, but they had different understandings of the May Fouth New Culture Movement when they accept- ed the Class Theory and got into the Left-wing Literature camp. Lu Xun adhered to the May Fouth New Culture tra- dition which was dated from the Cultural Revolution and he thought that the core values of the May Fouth New Cul- ture was interlinked with the spirit of the Left-wing Literature. Mao Dun denied the May Fouth New Culture which was dated from the Class Struggle and he believed that all the ideas and slogans of the May Fouth New Culture Movement had become outdated.
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