元代回回人音乐生活的伊斯兰色彩  

The Islamist-tinged of Huihui People's Musical Activities in Yuan Dynasty

作　　者：马冬雅[1] 

机构地区：[1]宁夏大学音乐学院,宁夏银川750021

出　　处：《北方民族大学学报（哲学社会科学版）》2013年第6期43-47,共5页Journal of North Minzu University(Philosophy and Social Science)

基　　金：宁夏哲学社会科学规划项目"宁夏回族音乐在中阿文化交流中的融入;推介与比较研究"(11NXCMJ02)

摘　　要：元代回回人音乐生活的伊斯兰色彩,包含宗教和地域两方面涵义,大体可从《伊本·白图泰游记》中略窥一斑。元代回回人在宗教用乐、仪仗用乐和宴飨用乐三方面承袭了当时伊斯兰地区的用乐风俗。宗教和宴飨的音乐生活,对于回族音乐的形成起重大而持续的作用。The Islamist-tinged of Huihui people＇ s musical activities in Yuan Dynasty contains two aspects of religion and geographical meaning. It generally can be understood from the ＂the travels of Ibn Battuta＂. The article analyzes the situation of the Huihui people＇ s musical life in Yuan dynasty, including three aspects ： religious music, ceremonial music and feast music, and thus it can he seen, the Huihui people inherited the customs of Islamic areas. Especially religious music and feast music, they largely have persistent effect for the Ethnic Hui people＇ s musical forms to this day.

关 键 词：元代回回人 回回音乐 伊斯兰色彩 伊本·白图泰游记 

分 类 号：K247[历史地理—历史学] J608.4[历史地理—中国史]