新时期以来中国电影的现实主义轨迹  

Research on the Realism Trajectory of Chinese Films since the New Period

作　　者：华亮[1] 

机构地区：[1]吉林动画学院动漫分院,长春130012

出　　处：《长春大学学报》2013年第11期1501-1503,共3页Journal of Changchun University

摘　　要：上个世纪80年代,电影生产出现了新中国成立以来的巨大变革。此次变革以几代电影人创作观念的成熟和中国电影中现实主义的深化作为显著标志。但这种创作模式在新世纪到来之际出现了转型,大量涌现的商业电影多表现出了逃避现实的倾向。现实生活在古装大片和喜剧电影中几近消失,现实主义的创作理念也不再被奉为圭臬。中国电影又一次站在了巨变的十字路口,我们的电影人将做出何种抉择,将用什么样的方式为时代塑像,这会决定中国电影的未来。In 1980s, huge reforms have taken place in film production since the founding of new China. This change was significantly signed by the mature of creation ideas from generations of filmmakers and the deepening of the realism in Chinese films. But this crea tive mode came to a transformation in the new century and commercial films coming forth reflected the tendency of escaping from real ity. The real life almost disappeared in costume and comedy movies, and the concept of realism creation would no longer be the stand ard. Chinese movies stood once again at the crossroads of radical change, the choice that filmmakers make and the way they use to de fine time statue will determine the future of Chinese films.

关 键 词：现实主义美学 创作观念的转变 商业电影生产 

分 类 号：J904[艺术—电影电视艺术]