论中国现当代文学的民俗学意识  

On the Folklore Consciousness of Chinese Contemporary Literature

作　　者：周水涛[1] 江胜清[1] 

机构地区：[1]湖北工程学院文学院,湖北孝感432000

出　　处：《华中师范大学学报（人文社会科学版）》2013年第5期80-88,共9页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金项目"新时期小城镇叙事小说研究"(08BZW063)

摘　　要：中国现当代文学批评主体对民俗学视角的运用,经历了由"无意注意"到"有意注意"的漫长发展过程,文学创作的民俗学意识经历了一个由"自为"到"自觉"的渐进过程。文学自身的发展及社会的演进,是文学民俗学意识发生发展的驱动力。感性文学民俗学意识与理性文学民俗学意识是文学层面的民俗学意识存在的两种基本形态。观照文学民俗学意识的发生发展概况及其存在状态,有助于纠正当下文学批评的民俗学认识偏颇及消除某些理论误区。The folklore angle of view used by Chinese contemporary literary critic has ex- perienced long developing process, from ＂noticing without intention＂ to ＂paying atten- tion＂, while the folklore consciousness in literature creation has experienced the evolu- tion process from ＂unawareness＂ to ＂awareness＂ The development of literature and society＇s evolution is the motive power of the literature folklore consciousness . Percep- tual folklore consciousness and rational folklore consciousness are the two basic shapes of the literature folklore consciousness existing from the angle of literature. Studying the development and existing condition of folklore consciousness is helpful in correcting misunderstanding in literary criticism and eliminating certain theory erroneous zone.

关 键 词：文学批评 文学民俗学意识 现当代文学 民俗学 

分 类 号：I206.7[文学—中国文学]