魏野诗风之归类与宋初“白体”“晚唐体”之内涵  

Wei Ye Poetic Style Classification Disagreements and The Connotation of The“BAI's Poetic Style”and“The Late-Tang-Dynasty Poetry Style”in The Early Song Dynasty

作　　者：周子翼[1] 

机构地区：[1]南昌大学中文系,江西南昌330031

出　　处：《齐鲁学刊》2013年第6期111-118,共8页Qilu Journal

摘　　要：魏野诗风归属晚唐体还是白体,在宋代就存在分歧,今人的论述也相对模糊,这涉及到对宋初白体与晚唐体内涵的理解。事实上,语言是否浅易,是否多唱和之作,是否多抒闲适之情等,并非宋初晚唐体与白体的界限,叹老嗟卑的悲哀情绪也不是宋初晚唐体的特色。宋初晚唐体与白体的根本界限在于创作理念的不同。白体主张"见事起意",眼前景,口头语;晚唐体主张"象生意后",苦心经营,锻炼景联与颔联。其中前者强调对景能赋的写实,后者注重缘情布景的营构。质之魏野诗作,则明显属于晚唐体。考辩宋初白体与晚唐体不同的创作理念,是深入认识宋诗发展演变的关键。Wei Ye poetic style is The Late-Tang-Dynasty Poetry Style or Bai＇s Poetic Style. there were differences in the Song dynasty, today discourses on it are relatively vague. This relates to the understanding of the connotation of The Late-Tang-Dynasty Poem Style Bai＇s Poetic Style. In fact, whether the language is simple, whether the poems are written to each other more and whether they are feelings of leisure has not become the boundaries of The Late-Tang-Dynasty Poem Style and Bai＇s Poetic Style. The sad mood of the poems is not the characteristics of the early Song Dynasty. The fundamental limits of the Late Tang and Bai＇s are different creative conception. Bai＇s advocated creating the feeling after seeing , the prospects in one＇s eyes and spoken language; but the Late-Tang-Dynasty Poetry Style “creating after thinking” and the poems are Crafted by polishing the Jinlian and Helian. The former emphasizes realism, the latter focus on the imaginary. On poetry of Wei Ye, it obviously belongs to The Late-Tang-Dynasty Poetry Style. By textual research on Different creative ideas of the Bai＇s Poetic Style and the Late-Tang-Dynasty Poetry Style in The Early Song Dynasty. we can also gain a better understanding of the internal factors of the development of Song poetry.

关 键 词：魏野诗风 白体 晚唐体 

分 类 号：I207.2[文学—中国文学]