表现核灾难:原民喜的人类意义  

xpression of Nuclear Disaster:the Human Significance of Hara Tamiki

作　　者：刘炳范[1] 

机构地区：[1]曲阜师范大学文学院,山东曲阜273165

出　　处：《齐鲁学刊》2013年第6期153-156,共4页Qilu Journal

基　　金：教育部人文社会科学研究规划基金项目"核灾难意识与日本‘原爆文学’研究"(11YJA752007)

摘　　要：日本"原爆文学"的代表作家原民喜以艺术的手法在文学领域中最早表现了核灾难的严重后果。他的小说《夏天的花》不仅形象地描绘了广岛遭受原子弹轰炸后的悲惨景象,更深切表达了对和平的向望以及对日本军国主义的憎恨之情。从文学角度看,原民喜开创了文学表现核灾难的新领域;从人类文化角度看,原民喜通过展现核武器的严重后果促使我们去思索人类异化的可怕结局。Abstract ： Hara Tamiki, the representative of ＂Japanese atomic-bomb literature＂ writers, is the first to artistically integrate the tremendous aftermath of nuclear explosions into literature works. In his novel, The Summer Flower, Hara Tamiki not only vividly depicted the miserable situation of Hiroshima affected by nuclear explosion, but also expressed his longing for peace and hatred towards Japanese militarism. From the perspective of literary study, Hara Tamiki initiated the new area of literature showing nuclear disasters; in terms of human culture, Hara Tamiki encouraged readers＇ reflection on the consequences of human alienation by presenting the disastrous influence of nuclear weapon.

关 键 词：原民喜 核灾难 人类意义 

分 类 号：I106.4[文学—世界文学]