晋南鼓舞典型舞畴的显要动作部位及其动作比较分析——以翼城花鼓与万荣花鼓为例  

Comparative Analysis on Notable Action Positions and Actions in Typical Drum Dances of South Shanxi Province——Taking Yicheng Flower-Drum and Wanrong Flower-Drum as Example

作　　者：卫艳蕾 李秋萍[2] 

机构地区：[1]太原师范学院舞蹈系,山西太原030012 [2]南京晓庄学院音乐学院,江苏南京211171

出　　处：《太原师范学院学报（社会科学版）》2013年第5期131-134,共4页Journal of Taiyuan Normal University:Social Science Edition

基　　金：2010年度国家社会科学基金艺术学项目国家青年类别课题:<山西晋南鼓舞的人类学研究>(10CE091)

摘　　要：在生态环境调查研究中寻求晋南鼓舞的生存发展规律,是鼓舞研究的一种新视野。以翼城花鼓与万荣花鼓为例,对二者的显要动作部位及其动作进行比较分析,发现翼城花鼓的道具和人物角色比万荣花鼓更为丰富,万荣花鼓则较为单纯。二者虽然都是以手部为显要部位,但除了小丑的"敲击拨浪鼓"动作相同,其余动作皆不同。两者动作形态的差异产生了不同的审美风格。翼城花鼓以恢宏大气、简洁干练见长,万荣花鼓则以细腻精致、灵活生动著称,二者各有千秋。A new prospect to study the drum dance is to seek the law of existence and development within the ecological environment,by which the drum dance of South of Shanxi Province has been investigated.Taking Yicheng Flower-Drum and Wanrong Flower-Drum as an example,by comparative analysis on their notable action positions and actions,it is discovered that the stage props and characters of the former are richer than the latter,while the latter is purer.Although both take use of hands as notable positions,other actions are different apart from the similarity in ＂striking rattle drum＂ by a clown.The differences in the action modals of the two produce varied aesthetic styles.The Yicheng Flower-Drum is obvious in magnificence and conciseness,and the Wanrong FlowerDrum is notable in subtlety and flexibility.

关 键 词：舞蹈生态学 晋南鼓舞 显要部位 动作 

分 类 号：J722.212[艺术—舞蹈]