明皇陵石像生群的象征意义及文化内涵分析  

Analysis on the Symbolic Meaning and Cultural Connotation of the Stone Statue Group in the Ming Imperial Mausoleum

作　　者：王雪芹[1] 张春雪[1] 郑袆峰 

机构地区：[1]钟山职业技术学院,江苏南京210049

出　　处：《科教文汇》2013年第32期71-72,共2页Journal of Science and Education

基　　金：江苏省教育厅2012年度高校哲学社会科学研究指导项目--"明代陵墓建筑装饰艺术研究"成果;项目编号:2012SJD760079

摘　　要：明皇陵是明代最早建制的帝陵,是朱元璋为自己的父母建造的陵墓,始称"英陵",后改称"皇陵",皇陵的精美石雕,在中国古代帝王陵墓石刻中是不多见的。所用工匠大多是元代末年的艺术家,从这点而言,皇陵的石雕群艺术精品反映了元代的雕刻艺术风貌,比较元代墓葬注重浅埋,地面没有遗迹、石刻的特点,明皇陵的大量石雕艺术在中国美术史上有着较为重要的意义。因此,本文旨在通过分析精美的石雕艺术群,得到明皇陵石像生艺术群的象征意义及其传递的文化内涵,为日后的装饰绘画创作提供必要的造型源泉,为进一步挖掘作品的艺术内涵打下坚实的基础。The Ming Imperial Mausoleum is the very first imperial mausoleum constructed in Ming Dynasty. It was built by Zhu Yuanzhang for his parents, first called ＂Ying Mausoleum＂ and then named ＂Imperial Mausoleum＂. The exquisite stone carvings in the mausoleum are rare among the stone carvings in Chinese ancient imperial mausoleums. The artisans for the carvings are mainly artists of the late Yuan Dynasty, so from this point, the exquisite stone carvings in the Imperial Mausoleum reflect the carving art style of Yuan Dynasty. Compared with the Yuan Dynasty tombs featuring shallow burying, no historical relics and stone carvings, the large number of stone carvings in the Ming Imperial Mausoleum is of great significance in the history of Chinese fine arts. Through analyzing the exquisite stone statue group,this paper aims to know about the symbolic meaning and cultural connotation of the stone statue group in the Ming Imperial Mausoleum, provide necessary modeling sources for the creation of ornamentation drawings in the future, and lay a solid foundation for the further study on the artistic connotation of the works.

关 键 词：明皇陵 石像生群 造型特征 象征意义 文化内涵 

分 类 号：J323[艺术—美术]