浅谈臧克家的诗歌蒙太奇——以《三代》《老马》和《当炉女》的解读为例  

A Survey of Montage in Zang Kejia's Poetry——An Interpretation of“Three Generations”,“Old Horse”and“Furnace Woman”

作　　者：姬慧[1] 

机构地区：[1]榆林学院中文系,陕西榆林719000

出　　处：《杨凌职业技术学院学报》2013年第4期86-87,90,共3页Journal of Yangling Vocational & Technical College

摘　　要：臧克家开创了新诗发展史上的新时代。他将电影蒙太奇手法成功运用于现代诗歌的创作技巧中,造成意象的撞击和迅速转换,以此激发读者的想象力来填补大幅度跳跃留下的空白。这使诗歌在获得美学价值的同时,也使他的诗歌艺术达到了高度的水平,从而抒写了中国现当代文学史上的重要一页。Zang Kejia starts a new era of poetry. He successfully applies ern poetry, which brings about image collision and swift transformation up blank spaces in the poetry caused by big leaps. This helps poetry to ness, thus the poetry makes a significant part in Chinese contemporary the artistic technique--montage to the creation of rood- Therefore, it may stimulate readers imagination to fill gain aesthetic value as well as to achieve artistic great- literature history.

关 键 词：臧克家 诗歌 蒙太奇 意象 

分 类 号：I207.25[文学—中国文学]