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作 者:石中晨[1]
出 处:《海南师范大学学报(社会科学版)》2013年第10期8-12,共5页Journal of Hainan Normal University(Social Sciences)
摘 要:莎菲在"开门"(女性意识觉醒)与"关门"(凄美的遁逸)之间,夹生了自由与自囚参半的另外一种活法("逃离"的谶言)。丁玲操纵个性主义与女性主义的双重启蒙话语"合谋"、生发了"在路上"的主题(女性出走与落脚的飘移不定与进行时态)和"召唤结构"(出走后何去何从),在美丽的权利和孤独的境遇的矛盾中,寻求着疑似病态人格的"自我认证"。Sha Fei leads a special life with half freedom and half restraint which is a prophecy of "escape" be- tween "opening the door" ( the awakening of female consciousness) and "closing the door" ( the pathetic escape). In the novel, Ding Ling aimed to pursue the seemingly morbid "self-identification" amid conflicts between fair rights and solitary conditions via the theme of "on the road" (the indefinite wandering and the continuous process of females upon their departure from home and their settlement) and the "evoking structure" ( the ultimate destina-tion for females fleeing homes) by manipulating the dual enlightenment discourse of individuality and feminism.
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