明末清初红拂剧改编考略  

Adaptation of Hong Fu Drama in the Late Ming and Early Qing Dynasty

作　　者：白金杰[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《信阳师范学院学报（哲学社会科学版）》2013年第6期119-122,共4页Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)

摘　　要：明末清初出现了多部红拂剧作,以张凤翼《红拂记》、凌濛初《红拂三传》、冯梦龙《女丈夫》及近年发现的曹寅《北红拂记》为代表,各剧本之间关联紧密。经比对分析可知,推陈出新是红拂剧改编的轨迹,不同的曲学主张和创作意图是红拂剧改编的原因。围绕红拂剧目的改编与评点,汤显祖、凌濛初、冯梦龙、吕天成、沈德符、曹寅、尤侗等曲作家、曲论家纷纷卷入其中,在曲辞、音律、情节架构、场上案头等方面表达了各自的曲学立场,从中可以窥见明末清初曲学界理论上的分歧所在。Many Hong Fu plays in the late Ming and early Qing Dynasty were all closely related, such as Hong Fu Drama written by ZHANG Fengyi, Hong Fu Three Biography by LING Mengehu, Woman Husband by FENG Menglong and North Hong Fu Drama by CAOYin. A contrastive study shows that the track of this adaptation is to achieve innovations, and different views and creative purpose are their causes. On the adaptationa and criticism, many dramatists and critics are involved, for example, TANG Xianzu, LING Meng- chu, FENG Menglong, LV Tiancheng, SHEN Defu, CAO Yin, YOU Tong. They all showed their own viewpoints on drama, tonality, plots and the characters on and off the stage, from which major differences on the drama theory in the late Ming and early Qing Dynasty can be reflected.

关 键 词：《红拂记》 《红拂三传》 《女丈夫》 《北红拂记》 凌濛初 曹寅 

分 类 号：I206.2[文学—中国文学]