从“房中天使”到“叛逆者”的擅变——《到灯塔去》女性形象管窥  

Evolution from the "The Angel" to "The Rebel" ——an analysis of the image of two female characters in To the Lighthouse

作　　者：王欣[1] 王琪[1] 

机构地区：[1]哈尔滨工程大学外语系,黑龙江哈尔滨150001

出　　处：《长沙理工大学学报（社会科学版）》2013年第6期127-130,共4页Journal of Changsha University of Science and Technology：Social Science

基　　金：教育部人文社科规划基金项目"美国当代哥特小说的社会美学审视--以史蒂芬金和安妮赖斯的哥特小说为例"(12YJA752026);中央高校专项基金项目"女性主义视阈下的伍尔夫小说创作视角研究"(HEUCF131208)

摘　　要：弗吉尼亚·伍尔夫是英国杰出的现代主义作家,同时也是闪亮于由男性主导的英伦文学史中的女性主义先驱。《到灯塔去》中拉姆齐夫人作为"房中天使"卑躬屈膝,逆来顺受;而莉丽作为男权社会的"叛逆者"追求独立,特立独行。从传统女性拉姆齐夫人到新女性莉丽的转变是女性在父权社会中重新定位自我,完善女性自我的历史过程,伍尔夫"双性同体观"在这一过程中得到了完美诠释。因而看似对立的两个女性形象实则相互关联,同体共生。Virginia Woolf is a splendid English writer of modernism and a feminist pioneer in English literary history, which had al- ways dominated by male writers. In To the Lighthouse Mrs. Ramsay as ＂the angel in the house＂ bears hardship and swallows insults without complaint; while Lily as ＂the rebel＂ pursues self-independence and behaves at her personal will. The transition from the tra- ditional woman Mrs. Ramsay to the new woman Lily is the historical process in which women struggle to relocate their positions and improve their self-identity in the patriarchal society. Woolfs Androgyny is perfectly interpreted in this process. The tWO seemingly contradictory female characters are actually born in the same root as the consubstantial symbiosis.

关 键 词：房中天使 叛逆者 同体共生 双性同体现 

分 类 号：I561.065[文学—其他各国文学]