中国油画的本土情结——从“新派画”到“意象油画”的艺术追求  

On The Native Complex of Chinese Oil Painting---The Artistic Pursuit From "New School Painting" to "Imagery Oil Painting"

作　　者：张璐[1] 

机构地区：[1]南京艺术学院美术学院,江苏南京210013

出　　处：《南京艺术学院学报（美术与设计）》2013年第6期91-93,222,共3页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：江苏省2012年度普通高校研究生科研创新计划项目<中国意象油画特征研究>(项目编号:CXZZ12_0652)

摘　　要：从"新派画"到"意象油画",中国油画在西方现代主义绘画和中国传统艺术精神之间不断寻找着契合点。本文在这一特定语境中展开分析研究,探讨这条发展线索中的两个关键因素——"变革创新"与"继承传统"。并以各阶段的代表画家为例,解读其作品内涵和他们之间共同的艺术追求,试图以此来探究中国油画挥之不去的本土情结。From 'New School Painting' to 'Imagery Oil Painting' Chinese oil painting was continuously seeking for a integrating point between western modernistic painting and traditional Chinese artistic spirit.This paper will analyze and study the subject in the particular context of these two key factors of their developing clue--- 'Change and Innovation' and 'Inheriting Tradition'.Further moreJ-this thesis will take representative painter in each stages as an example to unscramble the contents of their works and their common pursuit of art.In an attempt to explore the native lingering complex based on these evidences.

关 键 词：新派画 意象油画 变革创新 继承传统 本土化 

分 类 号：J205[艺术—美术]