没有狼的瓦尔登湖—《瓦尔登湖》与《狼图腾》的生态意蕴对比  

No Wolf around Walden--A Comparative Study on Walden and Wolf Totem from the Perspective of Ecocriticism

作　　者：李臻[1] 

机构地区：[1]天津职业技术师范大学外国语学院

出　　处：《多元文化与多种视点的交汇》2013年第1期84-88,共5页

摘　　要：随着生态批评在全球兴盛，中外众多具有生态意蕴的文学作品被纳入研究视野，美国先哲亨利·戴维。梭罗的《瓦尔登湖》被西方学者奉为绿色经典而享誉全球，而21世纪初中国的《狼图腾》在世界范围内引起了广泛关注。这两部跨越文化和时代界限的作品在生态意识方面表现出许多相通之处，运用比较文学平行研究的方法对两部作品进行分析，既展示出入类长久以来渴望与自然融合的共同理想，也反映出不同时代和文化背景下人们生态意识的差异和问题，有利于对两部作品的生态意识全面地分析和认识，寻求互证与互补。With the global development of ecocriticism in the past decades, Walden, a masterpiece of the past American sage Thoreau, has been regarded as a ＂green bible＂ by western scholars and become renowned around the world. At the dawn of this century, a Chinese book Wolf Totem attracted the attention of the world for its ecological conceptions. The two works show similarities in ecological consciousness across the boundary of culture and times. This article compares the two works by the method of parallel study, showing their common ideal to integrate with the nature as well as their divarication and perplexities caused by different era and cultural backgrounds, through which an objective and full-scale understanding of the ecological consciousness in the two works is acquired.

关 键 词：生态批评 自然《瓦尔登湖》《狼图腾》平行研究 

分 类 号：I207.425[文学—中国文学]