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作 者:李桂荣[1]
机构地区:[1]中国人民大学外国语学院
出 处:《多元文化与多种视点的交汇》2013年第1期176-184,共9页
摘 要:安东尼·伯吉斯是英国当代著名作家、音乐家、语言学家、文艺评论家,著作浩繁、内容丰富、思想深刻、哲理性强。后现代性在安东尼·伯吉斯的作品中被表现得淋漓尽致,不仅表现在叙事技术上,还表现在叙事主题上。戴维·洛奇对安东尼·伯吉斯作品的定性“一针见血”,爱伦·拉弗里对安东尼·伯吉斯作品的见解体现了其实质。安东尼·伯吉斯的作品是艺术掩映下的哲学追问和智慧思考,外表上娱乐、游戏、幽默、讽刺,实质上纵横捭阖、深邃宏阔。无论是在他精致的早期代表作《发条橙》中,还是在他雄浑的晚期代表作《世间力量》中,奇异的后现代叙事技术都像是“苦口良药”上的糖衣,成功地为他的颠覆性作品内容起到了掩体作用。Anthony Burgess is abundant, creative and rare as a postmodem novelist. He is also a famous journalist, cultural critic, translator, screenwriter and playwright. His postmodemist features are not only in his narrative techniques but also in his contents. David Lodge' s description and Alan Roughley' s understanding of his works demonstrate his writing nature. Burgess' s works are philosophically, psychologically and sociologically surprising, deconstructive and enlightening. As in .4 Clockwork Orange and Earthly Powers, Burgess' s post-modem contents with his post-modern techniques are "bitter medicine with sweet covering".
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