从“色情文学”论争看1942年前后的北京文坛  

Beijing Literary Scene around 1942 from the Controversy of “Erotic Literature”

作　　者：张童[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《浙江树人大学学报》2013年第6期85-90,共6页Journal of Zhejiang Shuren University

摘　　要："色情文学"论争,是华北沦陷区文学史上一场规模较大、持续时间较长、影响较广的文艺论争。围绕"色情文学"的论争,从一开始与日伪当局达成无意的"共谋",发展到后来文人相轻谩骂、大谈色情与道德,直至被禁,从中不难发现各方力量在政治思想上的企图、利益上的博弈,亦可洞悉日伪当局试图通过文艺政策掌控其在北京文坛的失利。由此北京文坛的复杂局面也可窥见一斑。＂Erotic literature＂ controversy was a large scale, longer duration and wide impact literary controversy in the literary history of the occupied areas in North China. Around ＂erotic literature＂ controversy, it started from unintentional collusion with the puppet authority, developed to abuses among the scholars, talking about sex and morality, and eventually led to its ban. It is not difficult to find the political ideological attempt and fighting of interests among the various forces, it also gives insight into the puppet authorities＇ attempt to control the Beijing literary scene through its art policy. Thus this also gives a glimpse of the complex situation in the Beijing literary scene.

关 键 词：“色情文学”论争 公孙嬿 北京文坛 

分 类 号：I206.6[文学—中国文学]