重构中国当代绘画批评的“意境”标准  

Reconstruction of the Standard for "Artistic Conception" in Chinese Contemporary Painting Criticism

作　　者：王乾榕[1] 陈晓娟[2] 蔡敏[2] 

机构地区：[1]华中师范大学武汉传媒学院,湖北武汉430205 [2]华中师范大学美术学院美术文化研究所,湖北武汉430079

出　　处：《科教文汇》2013年第35期129-129,131,共2页Journal of Science and Education

基　　金：2010年教育部人文社会科学研究青年基金项目<中国当代绘画的"意境重构">(项目号:10YJC760007)

摘　　要：当代绘画创作流派纷呈、手法多样,与之相应的当代绘画批评还未能形成完整的理论体系和清晰的评判标准。"意境"是具有鲜明现代文艺学色彩的批评术语,在当代绘画批评中重构意境标准,为当代绘画提供一套可供参考的评价体系,对于传统理论资源的当代转型和艺术批评学的学科建构都有着重要意义。There are numerous schools and techniques in con- temporary painting creation, but the corresponding contemporary painting criticism has not formed a complete theoretical system and clear judgment standard. ＂Artistic conception＂ is a criticism item With a distinctive color of modem literature and art, there- fore, to reconstruct a standard for artistic conception in contem- porary painting criticism and provide a referential evaluation sys- tem for contemporary painting is of great significance to the new transformation of traditional theoretical resources and the disci- plinary construction of artistic criticism.

关 键 词：意境 重构 当代绘画批评 

分 类 号：J202[艺术—美术]