李白王维乐府歌诗音乐之异同  

A Comparative Study of Music in Li Bai's and Wang Wei's Yuefu Poetry

作　　者：赵璐[1] 

机构地区：[1]绵阳师范学院音乐与表演艺术学院,四川绵阳621000

出　　处：《绵阳师范学院学报》2013年第9期4-8,12,共6页Journal of Mianyang Teachers＇ College

基　　金：四川省教育厅人文社会科学重点研究基地李白文化研究中心课题(LB10-12)

摘　　要：李白和王维的乐府歌诗音乐一方面具有较为明显的共性特征,如题材相似、音乐种类丰富、音乐基本形态大致相同等等。但在不同的人生经历、气质性格及宗教思想的影响下,李王二人的歌诗音乐呈现出了不同的音乐形态及审美特征,如李白的乐府歌诗音乐以北乐为主,音域宽广跌宕,节奏、旋法形态多变,具有飘逸洒脱、热情豪爽、意蕴醇厚的整体审美特征,而王维的大部分歌诗的音调结构与旋法复合了北方与南方的音乐特点,并有机融合成一种新的旋律风格,形成了气疏韵长、清雅简淡、意境深远的审美特征。The music in Li Bai＇s and Wang Wei＇s Yuefu poetry enjoys common characteristics, such as common topics, same variety in music types and similar music types. But the music in their respective poems features differ- ently in music types and aesthetics characters, due to the two poets＂ different experience, character, and religious thought. This paper demonstrates that the music in Li Bai＇s Yuefu poems is characterized by north China music, which has wide range, various rhythms and turning, and an aesthetic combination of freedom, enthusiasm and rich annotation; while Wang Weig music poetry is characterized by a new combination of North China music and south China music, which embodies in long tune, simple purity and rich annotation.

关 键 词：乐府歌诗 音乐题材 音乐种类 音乐形态 音乐审美特征 

分 类 号：J649[艺术—音乐]