乐舞声中普米族“搓蹉”的人类学解读  

Anthropological interpretation of Pumi "rub slip" musicsound

作　　者：申波[1] 盛川芮吉[2] 

机构地区：[1]云南艺术学院图书馆,昆明650500 [2]云南艺术学院音乐学院,昆明650500

出　　处：《红河学院学报》2013年第6期22-25,共4页Journal of Honghe University

基　　金：教育部社科规划项目:云南少数民族鼓乐文化研究(10YJA760041)

摘　　要：在云南民族的日常生活中,各民族都要动用"艺术的手段"来寄托对于生存的憧憬,即使在许多时候或许没有乐队的加入,但却绝对不会缺少"敲打"这一行为,从而替代了语言的叙事动能。因此,"敲打"作为少数民族文化重要的组成部分,对于诸多无文字的边缘民族来讲,其蕴涵的象征性意义具有丰富的社会学与文化学意义。"敲打"的存在作为一种空间图式,它不仅填充了空间本身,更通过民族的观念、行为、情感影响着民族的声音行为,更展示了其远古的记忆而成为"充满意义的仓库或贮存器"。文章依托艺术人类学的视野,通过对云南普米族传统乐舞"搓蹉"的透视,解读了在其乐舞运动的绵延中,彰显了一个古老民族对环境的适应和对远古记忆的恪守。in Yunnan, people＇s daily life, the people of all nationalities to use ＂art means＂ to the sustenance for the survival of vision, even in many cases may not have aband to join, but never a lack of ＂the act of beating＂, thus replacing language narrative kinetic energy. Therefore,＂beat＂ as an important part of minority culture, for manynon text edges nation, its.symbolic significance and the cultural science has rich social. ＂Beat＂ exists as a spatial schema,.it not only to fill the space itself： through thenational idea, behavior, emotion affects the voice behavior of the ethnic people, more show its ancient memories andbecome a ＂meaningful warehouse or storage device＂.Based on the perspective ot art anthropology, through the perspective of traditional music and dance of Yunnan Pumi＂rub error＂, explains its music and dance in rolling motion,an ancient nation reveals the adaptation to the environment and to abide by the ancient memory.

关 键 词：普米族 敲打行为 乐舞表达 文化记忆 

分 类 号：J642.2[艺术—音乐]